European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. (color), calls it a fourteenth-century Spanish panel identifies Saint Michael's armor as typical of the mid-fourteenth century. "The Art of Chivalry." Metropolitan Museum of Art Bulletin 32, no. A Concise Catalogue of the European Paintings in The Metropolitan Museum of Art. "The Interrelationships of Costume and Armor." The interrelationships of costume and armor in Metropolitan Museum of Art Bulletin VIII (February 1950), pp. 215–16, ill., attributes it to an unknown Valencian painter, first quarter of the 15th century notes that this picture originally formed the top element in a large retable and that its peak has been lost. The Metropolitan Museum of Art: A Catalogue of Italian, Spanish, and Byzantine Paintings. October 12, 1936, is less inclined to see it as Spanish and tends to assign it to the international movement as practiced in Venice or in some other part of Northern Italy. 7, mentions its depiction of a brigandine, or early plate of armor, covered with patterned fabric.
"The Mutual Influence of Costume and Armor: A Study of Specimens in the Metropolitan Museum of Art." Metropolitan Museum Studies 3 (June 1931), p. 130, attributes it to the Italian school, 15th century.
203, ill., attributes it to the Florentine painter, Neri di Bicci, and dates it 1453–75 states that it is said to have come from a church in Lucca, Italy.
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